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Barrick Museum Welcomes Acclaimed Writer Lawrence Weschler April 17

Longtime New Yorker writer will explore ways art and science have been approached together, and separately, over the years.
Arts & Culture  |  Apr 12, 2018  |  By Jennifer Vaughan
Media Contact: Jennifer Vaughan, 702/895-1575
Lawrence Weschler

Lawrence Weschler 

The Marjorie Barrick Museum of Art is proud to welcome acclaimed writer Lawrence Weschler at 7 p.m. April 17 for a talk titled "Art and Science as Parallel and Divergent Ways of Knowing." The lecture is sponsored by the UNLV Department of Art and the Beverly Rogers, Carol C. Harter Black Mountain Institute.

Artists and scientists tend to think of their ways of probing the world as distinctly different, but such was not always the case. In fact, the divide is only a few centuries old. Nor may the differences be all that distinct—or even real. In a lecture originally developed for a conference sponsored by the National Science Foundation, longtime New Yorker writer Weschler—director emeritus of the New York Institute for the Humanities at NYU (where the sciences were emphatically included as part of and central to the humanities) and author, among others, of Mr. Wilson's Cabinet of Wonder and Everything that Rises: A Book of Convergences—will extrapolate on such themes, with side-meanders into the thinking of artists Robert Irwin and David Hockney (subjects of his two most recent books) and a whole new interpretation of Rembrandt's "Anatomy Lesson."

Weschler (born 1952, Van Nuys, California), a graduate of Cowell College of the University of California at Santa Cruz, was for more than 20 years a staff writer at The New Yorker, where his work shuttled between political tragedies and cultural comedies.  He is a two-time winner of the George Polk Award (for cultural reporting in 1988 and magazine reporting in 1992) and was also a recipient of Lannan Literary Award.

His books of political reportage include The Passion of Poland (1984); A Miracle, A Universe: Settling Accounts with Torturers (1990); and Calamities of Exile: Three Nonfiction Novellas (1998). Mr. Wilson was shortlisted for both the Pulitzer Prize and the National Book Critics Circle Award; and Everything that Rises received the 2007 National Book Critics Circle Award for Criticism.

Weschler has taught, variously, at Princeton, Columbia, UCSC, Bard, Vassar, Sarah Lawrence, and NYU, where he is now distinguished writer in residence at the Carter Journalism Institute.

He recently graduated to director emeritus of the New York Institute for the Humanities at NYU, where he has been a fellow since 1991 and was director from 2001-2013, and from which base he had tried to start his own semiannual journal of writing and visual culture, Omnivore.  He is also the artistic director emeritus, still actively engaged, with the Chicago Humanities Festival, and curator for New York Live Ideas, an annual body-based humanities collaboration with Bill T. Jones and his NY Live Arts. 

Once, happening upon a Portuguese edition of Weschler’s 1990 book on torture in Latin America during a photo opportunity in a Rio shopping mall, Chilean General Augusto Pinochet flipped through its pages for a few moments, whereupon he pronounced, “Lies, all lies. The author is a liar and a hypocrite.”