Current Barrick Museum News
A short Q & A will follow the screening with artist and executive producer Tanja Hollander and director Robin Greenspun.
"Connective Tissue" is the first large-scale assembly of works by renowned neuroscientist-turned-artist Amanda Phingbodhipakkiya. It runs through Feb. 22.
For the first time, the Barrick is taking part of its collection out for a "pop-up" exhibition, partnering with Nevada Humanities.
Lara is the artist-in-residence at The Rogers Art Loft — a multidisciplinary artist residency dedicated to inclusivity, originality, and empowerment of artists.
Francisco Franco used to commute to school in a stock Oldsmobile in the late 1990s. When he was invited last year to bring the same car — now a custom lowrider — back for an art exhibit, it was a full-circle moment for the UNLV alumnus.
The event is free and includes hands-on activities, storytime, and more. All ages welcome.
Barrick Museum In The News
Now in its third year, the Bus to the Barrick program provides free transportation for K-12 Clark County School District children to visit UNLV’s Marjorie Barrick Museum of Art. Most of the students in attendance have never been to an art museum prior to their field trip, and without free transportation and admission, many of them wouldn’t be able to afford the experienc
Now in its third year, the Bus to the Barrick program provides free transportation for K-12 Clark County School District children to visit UNLV’s Marjorie Barrick Museum of Art. Most of the students in attendance have never been to an art museum prior to their field trip, and without free transportation and admission, many of them wouldn’t be able to afford the experience.
When people talk about the arts and entertainment world in Las Vegas, they are often talking about the Strip. But alongside entertainment on the Strip, there’s an active arts community in our neighborhoods.
Sorry for the Mess, a joint exhibition by Justin Favela and Ramiro Gomez, is an eye-opener. The 4,000-square-foot installation at UNLV’s Barrick Museum pays homage to the 85,000 Las Vegas casino employees who wash dishes, vacuum floors, clean rooms and mow lawns. Packed with sculptures and paintings made on-site (some in collaboration with Barrick Museum staff), Sorry for the Mess delivers wit, relevance and beauty.
Both as an artist and as the newly permanent executive director of the Barrick Museum of Art, Alisha Kerlin has been fixated on the moment of viewership: the thoughts and feelings you have when first viewing a piece of art. That’s a big upside of her job directing Las Vegas’ only existing art museum. “It’s such a privilege to do that,” she says. “I love that we’ve created a welcoming and safe place for dialogue here."
Alisha Kerlin holds up a white 3D print of a 2,000-year-old Mesoamerican animal sculpture like a proud mom at a soccer game. “I have a very intimate relationship with this collection,” she beams. For the duration of our museum tour, she carries the replica around, clutching it under her arm like a football. “I didn’t realize his toe was broken,” she says, as if she should have traveled back in time 2 millennia to stop the damage. If she could, she would.