Art Exhibits

  • Apr 8: Art Exhibition: Actions for the Earth: Art, Care & Ecology
    A woman in cold-weather clothes (a sweater and long pants) is crouching in a mass of spiky, thin foliage. In her left hand she holds a cluster of brown stalks and green dandelion-like leaves. With her other hand she reaches out to gently pluck a seed pod from one of the spiked plants in front of her. She is paying attention to the plant.

    Cecilia Vicuña, Semiya (Seed Song), 2015, color, sound, HD video, 07:43, Courtesy Electronic Arts Intermix (EAI), New York.

  • Apr 8: Art Exhibition: Mourning Songs of Salt and Silt
    A constellation of white-blue flecks and pale blue washes flows like a breaking wave across a deep blue surface. A rosette of white, crumpled marks breaks into the blue on the right side of the image. Vertical pale lines run like creases across the top, as if the surface has been folded.

    Amy Elkins, Mourning Songs of Salt and Silt. Sacramento, California. August 1 (detail), 2025, Cyanotype on Cotton. Image courtesy the artist.

  • Apr 8: Art Exhibition: Moth Ball
    Photographic images of moths are printed on a misty blue background. The moths have been arranged in a gentle arc, facing upwards. Each moth is different to the one next to it—large, small, patterned or plain; yellow, white or gray.

     

    Ash Ferlito and Patrick Costello, Moth Ball, Athens, NY, June 25, 2022 (detail), 2023, Four-color Risograph Print on 80lb acid-free paper, acid-free tape

     

  • Apr 8: Art Exhibition: El camino se traza al andar (The Path is Traced by Walking)
    A mass of earth-brown squares and rectangles is arranged in seven rows on a wall. They form a block of modulated hues—the ones on the right are a lighter shade of brown, the one on the left are darker, and the ones in between become reddish—with a grid of white gaps running between their edges. Line drawings of animals, landscapes, and urban infrastructure have been incised into the brown surfaces. Some are cracked like dry earth.

     

    Jackie Amézquita, bajo el cięło sobre el mismo suelo, 2024, Soil sourced from the 1,951 mile border that connects the U.S and Mexico, corn masa, salt, cal (dehydrated lime), rain water, framed with copper. Image courtesy the artist and Charlie James Gallery.

     

Thursday, April 9, 2026
Thursday, April 16, 2026
Monday, April 20, 2026
Wednesday, April 22, 2026
Thursday, April 23, 2026
Friday, April 24, 2026