Dr. Seuss + musical = “Seussical.” From the Cat in the Hat to Horton the Elephant, Rainbow Company Youth Theatre’s “Seussical” brings Dr. Seuss’ fanciful world to musical life at 7 p.m. Friday and Saturday and 2 p.m. Sunday at the Charleston Heights Arts Center, 800 S. Brush St. Additional performances are at 7 p.m. Dec. 9-10 and 2 p.m. Dec. 10-11; for tickets ($6), call 702-229-6553 or visit www.artslasvegas.org.

Drive right over to see Edward Burtynsky’s Oil at the Barrick Museum. Inside the exhibition, choose your best option: (A) Recoil from the horror; (B) Surrender to sensational beauty; (C) Erect safety barriers; (D) Accelerate into the cognitive fog; or (E) All of the above.

The fourth time was the charm. At least for the five members of Home Free. The a cappella quintet was working steadily, performing a variety of music showcasing their soaring harmonies at state and county fairs, corporate shows, aboard cruise ships and on college campuses.

Some of the Silver State’s most spectacular landscapes went on display Monday in Washington, D.C., as a weeklong photo exhibit called “Home Means Nevada” debuted in the rotunda of the Senate Russell Building.

Lighting, wall color, acoustics and hallway shapes may seem like aesthetic-based choices in the world of interior design, but when it comes to health care environments, those decisions can impact patient success.

More than 100 people attended the 2nd Annual VIVA Awards presented by the Forgotten Song Foundation recently at the Fifth Street School in downtown Las Vegas.

UNLV’s College of Fine Arts brings on a new dean this summer.

Her name is Nancy Uscher. She brings with her a diverse background in arts administration, teaching, and performing – including six years as a violist with the Jerusalem Symphony Orchestra.

Reinvention has always been the game in Las Vegas.

And we’ve seen many successful attempts at changing the city’s tourism landscape. Many more, however, failed or never got off the ground.

Who has better Las Vegas entertainment stories than the people who were backstage, and even onstage, with the stars?

A couple of recent books remind us of the big role supporting musicians played in the city’s show business history. Admittedly, I’m a little partial to both.

Chris Edwards left UNLV in the early ’90s with a degree in business administration — and the feeling that his future wasn’t in business.

You try to cross this bridge with Seth MacFarlane, linking his affection for the crude/brilliant humor in “Family Guy” — where the highbrow canine Brian will talk of his in-progress novel and suddenly scratch at his fleas with his hind leg — and love of big-band standards.

No matter where he stands, Kent Twitchell looks to be in scale with the environment. At Lam Gallery in Los Angeles, he greeted friends who had come to the opening reception of Kent Twitchell: The Man Who Paints Giants, a show filled with photographs, renderings, and sketches of his signature massive California murals, including the eight-story “Harbor Freeway Overture” he completed in 1993; one of his smaller works, “Nelson Mandela Monument,” installed on a piece of the Berlin Wall in 2014; and a photo of his two-story “The Freeway Lady” from 1974, a portrait of the adored matriarch for 101 freeway commuters that was recreated at Los Angeles Valley College and dedicated Thursday.