Claytee D. White In The News

Desert Companion
An essay by historian Claytee White, a looping documentary produced by PBS Reno, and a display of structures that have been demolished or altered round out the exhibition, underlining the depth of Williams' mark on the Silver State. The Neon Museum, which has preserved La Concha’s lobby, has also partnered with the Nevada Museum of Art to offer educational events during the exhibit’s run.
Las Vegas Weekly
A Las Vegas City Council meeting approval on November 16 paved the way for what could be one of the most ambitious projects in the city’s recent history—an African-American museum and cultural center located in the Historic Westside neighborhood.
K.N.P.R. News
The upcoming holidays mean people spend —on food, on gifts, clothes and so much more.
Las Vegas Sun
A ” We Need to Talk” panel discussion on critical race theory at UNLV’s Greenspun Hall Tuesday, Sept. 20, 2022.
Metropolis Magazine
The casual elegance of architect Paul Revere Williams’ Southern California mansions attracted a host of celebrity clients, including Frank Sinatra, Cary Grant, Barbara Stanwyck, and Lucille Ball and Desi Arnaz. Yet today the architect is celebrated as much for his improbable journey and the obstacles he overcame as for the remarkable quality of his work. Born in 1894, Williams, the orphan son of an African American fruit and vegetable merchant, would rise from his humble beginnings and the racial prejudice of his day to become one of America’s most respected architects.
The New York Times
The architect’s achievements transformed the landscape of Nevada but were obscured by racism. Janna Ireland’s exhibition changes that.
Nevada Magazine
The Moulin Rouge Hotel in the city’s Westside District served as a brief monument to racial justice in the 1950s.
Las Vegas Black Image
During the Jim Crow era, Josephine Baker left the United States and moved to Paris, France where she was treated in a professional, inclusive manner. There, she could entertain in front of integrated audiences, unlike only performing for segregated audiences in this country.