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Las Vegas Sun

While 2018 saw a slew of celebrities speaking openly about their struggles with mental health—Ariana Grande spoke of her anxiety and PTSD on her song “Sweetener;” Chrissy Teigen took to Twitter to discuss her postpartum depression; and Jon Hamm talked of his therapy and antidepressants—there’s still a stigma attached to seeking professional help.

Las Vegas Sun

While 2018 saw a slew of celebrities speaking openly about their struggles with mental health—Ariana Grande spoke of her anxiety and PTSD on her song “Sweetener;” Chrissy Teigen took to Twitter to discuss her postpartum depression; and Jon Hamm talked of his therapy and antidepressants—there’s still a stigma attached to seeking professional help.

Florida Weekly

Remember the meet-cute scene in “101 Dalmatians,” where the couple’s dogs bring them together? It happens in real life, too.

Associated Press

Sen. Elizabeth Warren is on the verge of launching a presidential campaign that should be all about her vision for the future. But first she has to explain her past.

Las Vegas Review Journal

A $1.4 million federal grant is helping keep UNLV’s railroad program on track.

K.N.P.R. News

It was anything but a straight line that brought the new head of UNLV’s School of Architecture to campus.

CityLab

When the bottom fell out of the mortgage market in the run-up to the Great Recession, Las Vegas homeowners found themselves at the epicenter of a catastrophe. Nearly one in four who bought new homes at the housing market’s peak in 2007 fell into foreclosure. For buyers of existing homes, whose values plunged even more dramatically, default claimed closer to half. Nevada led the nation in foreclosures for 62 straight months during the Great Recession.

Las Vegas Review Journal

The Henderson City Council on Tuesday approved a land deal with a developer who was convicted of tax fraud more than a decade ago.

Desert Companion

Someone in the impromptu barbershop quartet jokes about performance art being “all bullshit,” setting off a rumble of laughter in an audience of artists, performers, art lovers, and writers, all familiar with the conflicted nature of the medium. It’s another evening of RADAR, a new, regular Downtown performance event. Frequently not as palatable as more traditional painting and sculpture, nor easily defined or understood, performance art can be a difficult medium to establish in a local art community, though it’s been a fixture in some cities for years. Still, it’s natural that an art movement such as this would grow in the shadow of the Strip — and it feels long overdue.

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